AFRS 1101 - Reuse items Listed below are items which have previously been on e-reserve for AFRS 1101. Check items you wish to reuse and submit. Please note that it may take 48-72 hours before your reserve item becomes available online. Your email address: @bowdoin.edu Semester for which this should be on reserve: Spring 2019 Comments: Black Women and Black Power - Fleming, C by Fleming, Cynthia Griggs (pdf) Bombed in Spain: Langston Hughes, the Black Press, and the Spanish Civil War by Thurston, Michael (pdf) Out of Egypt, Greece, Newsweek by Begley S. And Chideya F (pdf) Pet Negro System by Hurston, Zora Neale (pdf) Address Delivered at the African Masonic Hall by Stewart, Mary (pdf) Address Delivered At the African Masonic Hall, Boston, by Stewart, Mary W (pdf) Address Delivered Before the African-American Female Intelligence Society of America by Stewart, Mary W (pdf) African American Women in the Mississippi Freedom Democratic Party by Crawford, Vicki (pdf) Africans in America: America's Journey Through Slavery Series (Streaming Video) by (pdf) Alain Locke, The New Negro by Locke, Alain (pdf) Albert J. Raboteau, Death of the Gods, Chapter 2 by Raboteau, Albert J. (pdf) American Slave Insurrections Before 1861 by Wish, Harvey (link) Anger, Memory, and Personal Power: Fannie Lou Hamer and Civil Rights Leadership by Lee, Chana Kai (pdf) Anna Julia Cooper, Womanhood: A Vital Element in the Regeneration and Progress of a Race by Cooper, Anna Julia (pdf) Appendicies by Party, Black Panther (pdf) Bending the Bars of Empire from Every Ghetto for Survival: The Black Panther Party's Radical Antihunger Politics of Social Reproduction and Scle by Heynen, Nik (pdf) Benjamin Mays & Joseph Nicholson, The Genius of the Negro Church by Mays, Benjamin E.
The will to adorn is the second most notable characteristic in Negro expression. Perhaps his idea of ornament does not attempt to meet conventional standards, but it satisfies the soul of its creator. In this respect the American Negro has done wonders to the English language.
And Nicholson, Joseph W (pdf) Binyavanga Wainaina, How to Write about Africa by Wainaina, Binyavanga (pdf) Black Art: Mute Matter Given Force and Function by Karenga, Maulana (pdf) Blueprint for Negro Writing by Wright, Richard (pdf) Booker T. Washington - Up From Slavery by Andrews, William L (pdf) Booker T. Washington and the Politics of Accommodation by Washington, Booker T (pdf) C.L.R. James, The Black Jacobins pages 6-26 by James, C.L.R (pdf) C.L.R.
James, The Black Jacobins pages 85-117 by James, C.L.R (pdf) C.L.R. James, The Black Jacobins Chapter 1 by James, C.L.R (pdf) C.L.R.
Using material collected on anthropological expeditions to the South, Zora Neale Hurston explains how expression in African American culture in the early 20th century departs from the art of white America. At the time, African American art was often criticized for copying white culture. For Hurston, this criticism misunderstood how art works. European tradition views art as something fixed. But Hurston describes a creative process that is ever-changing and largely improvisational.
She maintains that African American art works through a process called 'mimicry'—where an imitated object or verbal pattern, for example, is altered until it becomes something new, novel, and worthy of attention.